The pianist Alice Sara Ott, barefoot and carrying a silver bracelet, was smiling and singing to herself the opposite day as she practiced a jazzy passage of Ravel at Steinway Corridor in Midtown Manhattan. A Nintendo Swap, which she makes use of to heat up her arms, was by her facet (one other favored software is a Rubik’s Dice). A shot of espresso sat untouched on the ground.
“I really feel I’ve lastly discovered my voice,” Ott stated throughout a break. “I really feel I can lastly be myself.”
Ott, 35, who makes her New York Philharmonic debut this week, has constructed a world profession, recording greater than a dozen albums and showing with prime ensembles. She has turn into a drive for change in classical music, embracing new approaches (enjoying Chopin on beat-up pianos in Iceland) and railing towards stuffy live performance tradition (she performs with out footwear, discovering it extra snug).
And Ott, who lives in Munich and has roots in Germany and Japan, has completed so whereas grappling with sickness. In 2019, when she was 30, she was recognized with a number of sclerosis. She says she has not proven any signs since beginning remedy, however the dysfunction has made her replicate on the music trade’s grueling work tradition.
“I realized to simply accept that there’s a restrict and to not transcend that,” she stated. “All people is aware of the right way to ignore their physique and simply go on. However there’s at all times a payback.”
Ott has used her platform to assist dispel myths about a number of sclerosis, a dysfunction of the central nervous system that may trigger a variety of signs, together with muscle spasms, numbness and imaginative and prescient issues. She has taken to social media to element her struggles and to problem those that have recommended that the sickness has affected her enjoying.
She stated she felt she had no selection however to be clear, saying it was essential to point out that individuals with a number of sclerosis may lead full lives.
“I don’t take into account it as a weak spot,” she stated. “It’s a reality. I stay with it. And I don’t need to make an enormous drama out of it.”
Ott’s colleagues describe her as an adventurous musician who has helped deliver new audiences to classical music with experiments like “Echoes of Life,” a challenge that blends Chopin preludes with modern works, video and Ott’s reflections on life and music.
Bryce Dessner, a composer and a guitarist who wrote a concerto for Ott that she premiered in Zurich this 12 months, stated that “what she brings onstage is so particular to her — it’s like she’s unlocking some kind of hidden doorway in every bit that she confronts or interprets.”
The conductor Elim Chan, who carried out with Ott a number of months after she started remedy, stated that from the beginning, Ott had a “don’t child me” angle about her sickness.
“She is ready to go to a really lovely and fragile place, but it surely’s additionally very trustworthy and it has integrity inside it,” Chan stated. “After which she flies from there. And that’s one thing I discover very lovely.”
Ott was born in Munich to a Japanese mom, a piano instructor, and a German father, {an electrical} engineer. She started piano classes at 4, drawn to the expressive energy of music, she stated, and when she was 12, she began commuting to Salzburg, Austria, to review with the famend instructor Karl-Heinz Kämmerling.
After profitable a sequence of prizes, her profession took off, and at 19, she signed with the distinguished label Deutsche Grammophon. Nonetheless, she started to really feel uneasy about classical music’s emphasis on custom in programming, live performance codecs and costume. She generally confronted sexism; a colleague as soon as advised her to play a passage of Beethoven like a “cute little Japanese lady,” she stated. And her packed touring schedule was taking a toll on her as a musician, she stated.
“I felt like individuals had been anticipating one thing from me that I couldn’t present,” she stated. “I used to be floating round, and I didn’t have stability within the sense of who I used to be as an artist.”
She started to forge her personal path, working with artists just like the experimental composer Ólafur Arnalds to file reimagined variations of Chopin. Looking forward to a extra rugged sound, they went looking for out-of-tune pianos in bars in Reykjavik, Iceland.
In 2014, she launched “Scandale,” an homage to the Ballets Russes, with the pianist and composer Francesco Tristano, that includes works by Stravinsky, Rimsky-Korsakov, Ravel and Tristano. On tour, they adorned the stage with magenta duct tape and invited the viewers to clap together with the music.
“You’ll be able to actually hear the intelligence in the best way she performs,” Tristano stated. “Nothing is left to randomness or sheer virtuosity. She’s past that. She actually desires to make some extent in regards to the music she’s creating — that it’s related in the present day.”
In 2018, on tour in Japan, Ott started to expertise well being issues, feeling some numbness in her lips and later having problem strolling.
Her docs stated her signs had been most likely attributable to stress. However when she returned residence to Munich after one other tour a pair months later, half of her physique went numb. After present process exams, she acquired her prognosis: relapsing-remitting a number of sclerosis, the commonest type, during which signs can flare up and dissipate.
At first, Ott stated, she was “scared as hell” and panicked. However she additionally frightened about upsetting her household. “There have been plenty of occasions,” she stated, “after I simply locked myself someplace and cried.”
Her solely data of the sickness got here from the story of Jacqueline du Pré, the British cellist who died in 1987, at 42, of issues from a number of sclerosis. On the day Ott acquired her prognosis, she misplaced management of her left hand whereas enjoying a Chopin nocturne at a recital in Munich. She ran offstage, sat on the ground and cried, and canceled the remainder of the live performance.
However as Ott examine trendy remedies, she grew extra optimistic, particularly since her sickness was within the early phases. In February 2019, a couple of month after her prognosis, she posted about it on Instagram.
“An acknowledgment shouldn’t be a weak spot,” she wrote, “however a approach to shield and achieve power, each for oneself and for these round us.”
Ott was praised for her braveness. When she toured, musicians approached her to share their experiences with a number of sclerosis. However her well being challenges additionally drew scrutiny.
When a critic reviewing one in every of Ott’s albums final fall recommended that its inclusion of some simpler items was associated to her a number of sclerosis, she shot again. On Instagram, she famous that she had defined her selection of repertoire and that she had plans for extra albums. She stated that such reductive labeling was “the precise cause why it’s nonetheless so onerous for a lot of to return out and discuss their very own circumstances.”
In New York, Ott will carry out Ravel’s Piano Concerto in G Main with the conductor Karina Canellakis, who can also be making her Philharmonic debut, in a program that features works by Webern, Strauss and Scriabin. (Final 12 months, the 2 had been featured performing Beethoven in ads for Apple Music Classical, the expertise big’s streaming service.)
Canellakis stated Ott had a “a serenity about her that’s infectious.”
“There’s a way of pure focus,” she stated, “and she or he conjures up everybody else round her to imagine that state of being.”
Ott has been refining her interpretation of the Ravel concerto, which she first carried out when she was 17, working to imitate the sound of jazz devices within the piano half.
On a current night, she went to the Blue Word jazz membership in Manhattan to listen to the Japanese composer and pianist Hiromi. The live performance felt intimate and laid-back, she stated: Folks cheered freely, laughed, talked and shared meals and drinks.
Ott stated she strives to create related connections with audiences.
“Music itself can solely totally blossom after we unite in it,” she stated. “We now have to be weak. That is among the most lovely sources of togetherness and power.”
